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Fort  Bend  Herald

 

From  The  Accordion  Club  (  Accordionaires   )  In  Burbank,  California  November  2007

LET THE MEETING BEGIN

 

 

Mario Pedone was hooked up and ready to give the Accordionaires a great concert. Mario brought dozens of CD’s and music books he has written. Sales were brisk before, during and especially after his performance. Our members were inspired to emulate the outstanding technique Mario displayed all evening. Mario performed for just over two hours. His only break came when the police temporarily interrupted the meeting to ask us to come outside to see if our cars had been hit by a suv that had jumped the curb and sheared off the fire hydrant at the corner of Victorio’s parking lot. The flying suv hit three parked cars, but none were from our group. After that bit of excitement, Mario was playing for us again.

 

Mario used an Excelsior Symphony Grand, which he played to perfection. This is a great accordion and in his expert hands the result was perfection. His presentation took two forms: playing with CD background, and playing solo. As you know from the biography you read in last month’s newsletter, Mario used the piano and keyboards extensively as a performer. Over time he learned to record his own multi-track accompaniment, which could be used with the accordion or other instruments. Parts of Mario’s performance this evening featured the recorded orchestral background as he took front stage live with the accordion. The result was extremely enjoyable. Unlike simultaneously using a midi module, Mario’s method produced a very realistic, orchestral presentation. Mario used our Club amp for the cd accompaniment and a separate amp for his accordion. By having the accompaniment separate (recorded on the cd) he was able to enhance the effect of the accordion or the background independently just as would have occurred in a live band performance. “Feeling” and “expression” were two terms everyone mentioned after hearing Mario.

 

Additionally Mario had everyone craning their neck to watch him play. His command of the keyboard was simply outstanding. Slow, medium or lightening fast, his fingers were right on target all the time. Mario also interchanged melodies from the bass section and the treble keyboard. Much of his bass work was very reminiscent of Nick Ariondo—his fingers were everywhere on that bass-board. Further enhancing the evening, Mario played selections of all types: Latin, French, polkas, ballads, marches, and waltzes—you name it, he did it.

 

Here is a partial list of the many songs Mario performed this evening:

·         French medley.

·         Polka medley, Swedish, American and Polish ( with these songs you realized that this man plays a piano keyboard with the same speed we expect from a button accordion).

 

Using his Ketron keyboard recorded in four or five parts onto a computer track and accompanied live with his Excelsior we heard:

·         Have I told you lately that I love you.

·         Orange Blossom Express.

·         La Paloma de Noche.

·         Accordion solamente.

·         Granada (reversing the melody line onto the bass with harmony coming from the treble keyboard).

·         Estudio d minor and the

·         Woodpecker Song (Expression and double key mastery throughout these pieces).

 

This time a combination of accordion solo and CD accompaniment:

·         Medley including Hava Nagila.

·         Zorba's Theme.

·         Petticoats of Portugal.

·         España Cañi.

·         And a tango, and a waltz, and a Latin waltz with Siboney as the finale (Rhythm variations, keyboard cross-over, and double-key action all contributed to this knock-out group).

 

After a short break Mario was back with his grand finale:

·         La vie en Rose.

·         I’ll Love You Today-I’ll Love You Tomorrow. ( Lebanese Song  Habbeitak  Bssaiff )

·         Czardes – Monti.

·         Santa Lucia.

·         German Songs.

·         Hofbrau Haus drinking house Munich.

·         Du Du Liebst mir im Herzen.

·         Beer Barrel Polka and in a final shift of mood…

·         Diamonds Are Forever.

 

Numerous Club members have called to express their appreciation for Mario’s

outstanding performance. Pat Striplin reported that Mario had a super night selling his CD’s and books. Without a doubt the Accordionaires know quality when they hear it. Mario, thanks for coming, and please come see us again!

 

 

Chicago  Accordion  Club  Entertainment  February  25, 2OO8   Coverage   By   Ron Grenda

When Homer described   Odysseus' travels many  centuries  ago, there were no accordions  and  there was no Mario Pedone to stir the imagination. There  were  only
sirens and bags of wind.

 
Fortunately for the Chicago Accordion  Club   listeners, on the snowy night of February 25, 2008, things had changed. There was an Excelsior accordion  and, to provide the  inspiration  and stir the hearts, there was a traveler named  Mario Pedone.

Mario  captured  the  audience   instantly as  he floated  over  the Seine  with "Pigalle" and "Under Paris Skies."  He soon  left  the  continent  by  way  of  Holland to clog into  the Windy City with  the "American Wooden Shoe Polka."  With  memorable  expressive  little  bellow  shakes, he made  an "Unforgettable" slide down into the bassoon  register. A tejano  tune, "Hey Baby Que Paso" came straight  from  the Lone Star State  with  gusto. The world traveler  took everyone along for a musical grand tour starting  in the Eternal City with "Arrivederci Roma." It was on to lberia for "Espagna" and the  memorable  lilting "Lisbon Antigua". Mario helped  everyone  safely board the Orient  Express  for Turkey  and  "lstanbul". lt was on to the Middle East for a little rejoicing with "Hava Nagila" before  waltzing into Sweden  and Russia with buttons, bellows and keys.

Mario  escorted  his  enraptured  audience  down South America  way  to Argentina for  Gardel's  great tango, "Por Una Cabeza." lt was then over the Andes to Peru for
"Estrellita Del Sur". When you love the World and the World loves you, sometimes you must keep on the move. Mario  was  starting  to resemble Anthony Quinn's Grecian "Zorba," before  hopping  with  a Venezuelan  touch  of precise bass  work  towards Prague  in  the Czech Republic for  "Polka de la Cerveza." The "Beer Barrel Polka" really  had the blues on the run.

Mario's own composition  of  "Waltz in D Minor" gentile, sparkled  as  he prepared  the listeners  for his exquisite  bellows  movement  in "You Light  Up My Life." His own accompanied  version  was a favorite  with  many  of  the  ladies . "The  Orange Blossom Special"  then came fly, down  the tracks from Texas with dazzling accordion  effects. "Granada" by  Agustin Lara had  the audience falling under Mario's spell  and  reacting  with  a  spontaneous  standing  ovation Oh,  my,  it  was  on  Mario's  words  "Andiamo  Bambini " and  time  for  Magnante's "Waltz  Allegro".

The wonderful student and  professor   remembered  his  own Italian and Spanish teachers   with  Maracaibo  with  love  a  delicious  waltz  from Venezuela.  He  then expressed  his  love  of  James  Bond  movies  with  the hauntingly  delightful  "  Diamonds  are  Forever ". Mario  Pedone  was  still  #1  with  Hillary,  John  and  Barack  after  his  primary  special "Pennsylvania  Polka ".  He  had  all  parties embrace  in  a  sing-a-long  of "You  Are  My  Sunshine ". The  dramatic  and   powerfully  gentle  art  of  Mario  Pedone  reached  another  plateau  in  ' Malagueña ".  The  Chicago  Accordion  club  members  responded  with  another  standing  ovation  for  great  accordionist.

Mario  invited  Ed  Smollen  to  join  him  for  truly  internationally  spiced  version  of "Tico  Tico", " Flick  Flack " and  "Bavarian  Polka  in  Bb".  The  duo  received  a  marvelous  round  of  applause  for  combining  the  Excelsior  and  Dallape  so  well. The  listeners  shouted  for  more  and  Mario  obliged  with  Pietro  Deiro's  " Tranquillo" and  a  terrific  tribute  to  Astor  Piazzolla.

The  stunningly  beautiful  concert  closed  with  a  tribute  to  America   featuring  a  heartfelt  "America the  Beautiful",  "The  Army,  Marine,  Navy  and  Air  Force"  songs,  and  "God  Bless  America".  The  Chicago  Accordion  Club  had  been  honored  to  hear  a  little  boy  from  Italy  who  had ventured  to  South  America  before  carrying  his  musical genius  to  our  toddling town  by  way  of  Texas.  His  lifelong  journey  had  been worthwhile!

 

SILICON VALLEY ACCORDION SOCIETY APRIL 2008

Mario, while up on stage, smiling, friendly, folksy and relaxed. Mario, playing--
GENIOUS! That’s what accordion, piano and guitar instructor Irving
Cardoza, who places value on technique as well as feeling, said about this highly
talented player. On Pigalle, Mario’s glissando was immaculate! With Granada
he played melody on the bass and did triple hits on the keys. The Wooden Shoe
 Polka was a piece composed by his good friend Nils Lundin, an 86 year old
who still plays the accordion! Mario dedicated Unforgettable to Vince Cirelli,
again with great note trills. Oh Lonesome Me was accompanied by a banjo
background and Mario got us to sing the chorus. During Hava Nagila we were
delighted to see Marbella dance to the piece. Her moves were very dramatic
and expressive. With the orange Blossom Special Mario’s bellows shake was incredible  and  with  Texas  touch.
Peter Di Bono and Mario even with note changes! Talk about challenges! Anyone who tries that knows
what I mean. Soon Peter Di Bono accompanied Mario on the Beer Barrel Polka
and we couldn’t help but “roll out the barrel”. And Norma accompanied Mario
on Besame Mucho. Good glissando, Norma! Mario has every rhythm “down pat”, polka,
mambo, waltz, tango, rhapsody, rag time, march, you name it.
He played at least 30 pieces.
GENIOUS! What a pleasure!
 

 

HOUSTON CHRONICLE                                                                        September 15, 2005

Lifelong musician plays, teaches accordion

Sugar Land man organizes club for instrument By KATANIA CASTANEDA

With a delicate touch, Mario Pedone, 53, seems to caress the accordion as he draws out harmonic sounds to make beautiful music. He can play just about any­thing, from a polka to classical music.

"It's not just an instrument that you play," Pedone said. "You have to give your soul. You have to melt with the music, give life to the music. You need to transmit everything you feel to the minds of the people that are listening."

In an effort to share his love of music with others, Pedone has traveled the world playing the accordion. He also teaches young people the technique for playing the accordion, and he founded the Fort Bend Accor­dion Club in October 2003 to promote accordion music to the general public.

The club will meet from 2-5 p.m. Oct. 9 at The Terrace at First Colony retirement com­munity, 16900 Lexington Blvd in Sugar Land.

"The accordion is not a very popular instrument," he said. It was popular in the 1950s, but then the keyboard showed up. Now Pedone, who is originally from Italy but lives in Sugar Land, works tirelessly to revive an interest in accordion music.

"Every instrument is wonderful," Pedone said. "But I want people to know that the accordion is still alive."

Pedone's love of music began at an early age, 9, when he first heard his brother play the instrument.

"When I first saw the accordion, I thought, `I think I like this instrument,' " recalls Pedone. "I would watch my brother play, and then when he wasn't using it, I would hide and play for hours. I would try to play everything that my brother was playing, so I learned to play by ear."

Pedone remembers the 26 pound accordion as being so heavy that he had to pick it up and play it while it was resting on the sofa.

One afternoon, his father came in and caught him playing the instrument. Pedone thought he was going to get into trouble, but when his father saw how good he was, he signed him up for lessons with a professional teacher.

Pedone spent his youth taking lessons and practicing. He studied music theory and composition anything he could and practiced about five hours each day.

He, received his music train­ing in Valencia, Venezuela, where he grew up. He and his parents had immigrated to Venezuela from Italy after World War II when the country was virtually destroyed and few jobs were available.

In his early 20s, Pedone graduated as an accordion con­cert player and teacher, specializing in high-speed technique.

His professional life began with a band of six musicians that formed part of the Agrupacion Orquestal Los Latinos. They played for important singers that came to Venezuela. Pedone also founded an accordion school in Valencia, where he taught for 12 years.

In 1981, he came to the Houston area with his wife Marbella Pedone, now 53. They have four children and one grandchild.

His first job in the Houston area was at The Old Heidelberg in the Fountainview area where he has played off and on for years. He can be seen in Sugar Land Thursdays at Vittorio's Cucina Italiana, 15295 Southwest Freeway, from 6-9 p.m. He also is a regular concert performer, and has been all over Europe, Latin America and the United States.

Those who have had a chance to play with Pedone describe him as a fabulous musician. Peter Widmark, 55, from Dover, N.H., has known Pedone for nearly 20 years. "I've heard hundreds of accordion players, and he's certainly up with the best," Widmark said.

 Fort Bend County Sheriff Milton Wright who also plays the accordion, said "Without any reservations, (Mario Pedone is) the best accordion player and musician I've ever been around. I've never heard anyone with his kind of talent."

 

Northwest  Accordion  Society  Social  Seattle,  Washington.

February  11,  2008  -  By:  Marjorie  Rombauer

Mario  Pedone, he  played  a  long  and  varied  program,  but  he  exudes  joy  in  playing  and  the audience  responded  with  enthusiasm.  He  began  with  "  Wooden  Heart "  and  segued  into" Beer  Barrel  Polka ".  He  has  large  hands  and  fingers  but  plays  with   a  delicate,  effortless  touch,  particularly  notable  in  a  fast "  Rattling  Keys. "  He  played  the  French  " Pigalle "  and  the  German  "  Snow  Waltz, " coming  back to  the  United  States  for  " Misty "  played  in  Texas swing  style.  He  played  " Misty "  and  others  of  his  numbers  with  a  prerecorded  accompaniment.

For  the  whole  program  he  used  an  amplified  accordion, which  showcased  the  sound  of  the accordion - particularly  on  slower  songs, such  as  the  haunting  Finnish  waltz, "Metsä kukkia," sometimes  called  " Flowers  of  the  West "  or " Forest  Flowers. "  He  responded  to  a  request  for " "Tarantella, "  then  he  played  España  Cañi  with  embellishments  and  repeated  notes.  For  a  series  of  songs,  he  did  not  announce  the  titles,  instead  letting  the  audience  call  out  the  names.  After  a  Jewish  number,  he  took  us  on  a  Journey  for  the  Music  of  Greece,  Peru  and  Brazil,  concluding  with a  Venezuelan  waltz  for  his  wife.  He  Ultimately  returned  to  Texas  for  the  "  Hey  Baby  Que  Pasó  Polka. "  To  honor  our  service  personnel,  he  concluded  by  playing  simple,  moving  arrangements  of the  service  songs,  "  Marine,  Army, Navy and  Air  Force " a  full  volume  " America  the  beautiful  and  God Bless  America. " It  was  an interesting  program.  I  haven't  reported  all  of  it;  sometimes  I  just  sat  back  and  enjoyed  the  music  instead  of  writing.